What sets this version apart is its high-end MKII rehousing, developed on the basis of the success of the previous generation but geared towards the most demanding shooting environments. The new rehousing incorporates a hybrid “Helicam” focusing system, which combines a refined helicoid with standard CAM focusing system technology, offering extended focus rotation (approx. 300°) and a noticeably smoother and more precise feel. In addition, it includes versatile follow-focus positions, an adjustable stainless steel mount for perfect alignment with cinema cameras, and T-stop and focus markings in metric and imperial scales for maximum precision on set.
These mechanical improvements make the Ironglass MKII a much more reliable and comfortable lens to use in professional shoots, capable of withstanding repeated demands without compromising its unique optical qualities. The rehousing is designed to integrate with large clip-on matte boxes, tracking systems, and production accessories, maintaining the vintage aesthetics of the original lens with modern and efficient handling.
Built with a PL mount and designed to cover full-frame sensors in cameras such as the ARRI Alexa Mini LF, RED Raptor, or Sony Venice, the Zenit Ironglass 20mm Macro MKII is an exceptional tool for cinematographers seeking wide perspectives, micro-detail, and visual character with its own identity, without sacrificing the mechanical performance demanded by a contemporary film set.
