
RED HELIUM 8K DSMC2
La cámara RED Helium es el caballo de batalla de RED, ya que introduce una espectacular resolución de 8K en un tamaño de sensor de S35. Nos permite rodar en codecs R3D (raw) y en Pro-res (o Avid) por separado, o en ambos a la vez, utilizando éstos últimos como proxies para montaje, lo que aligera significativamente el work-flow de rodaje. El sensor Helium 8K DSCM2 combina una avanzada composición de color con una latitud increíble de 16 stops y una muy buena relación señal ruido, permitiéndonos trabajar en situaciones de baja luminosidad sin problema.
Éstas son las razones por las que ésta cámara se ha colocado en las producciones más importantes del mundo, como “Stranger Things” o “La casa de papel”.
SENSOR TYPE |
MONSTRO 35.4 Megapixel CMOS |
HELIUM 35.4 Megapixel CMOS* |
GEMINI 15.4 Megapixel Dual Sensitivity CMOS |
DRAGON-X 13.8 Megapixel CMOS |
EFFECTIVE PIXELS |
8192 × 4320 |
8192 × 4320 |
5120 × 3000 |
5120 × 2700 |
SENSOR SIZE |
40.96 mm x 21.60 mm (Diagonal: 46.31 mm) |
29.90 mm x 15.77 mm (Diagonal: 33.80 mm) |
30.72 mm x 18.0 mm (Diagonal: 35.61 mm) |
25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
DYNAMIC RANGE |
17+ stops |
16.5+ stops |
16.5+ stops |
16.5+ stops |
MAX FRAME RATES1 |
60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) |
75 fps at 5K Full Height 1.7:1 (5120 x 3000) |
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) |
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MAX DATA RATES |
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) |
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PLAYBACK FRAME RATES |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
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REDCODE SETTINGS |
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps |
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps |
2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps |
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REDCODE RAW |
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x |
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x |
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x |
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APPLE PRORES |
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps |
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AVID CODECS3 |
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps |
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CONSTRUCTION |
Aluminum Alloy |
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WEIGHT |
3.35 lbs (BRAIN with Integrated Media Bay) |
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DC IN POWER INPUT |
11.5 V DC to 17 V DC (requires an expander with DC-IN) |
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OPERATING TEMPERATURE |
0°C to 40°C (32°F to 104°F) |
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STORAGE TEMPERATURE |
–20°C to 50°C (–4°F to 122°F) |
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RELATIVE HUMIDITY |
0% to 85% non-condensing |
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COLOR MANAGEMENT |
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs |
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AUDIO |
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz |
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REMOTE CONTROL |
Integrated R.C.P. WiFi antenna |
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MONITOR OUTPUTS |
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module |
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MONITOR OPTIONS |
DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection. |
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REDCINE-X PRO |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
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VIDEO EDITING SOFTWARE |
Adobe Premiere Pro, AVID Media Composer, |