ARRI ALEXA MINI

Compacta, ligera y autónoma, la ARRI ALEXA Mini es una herramienta adicional versátil de la gama de cámaras ALEXA

Representa la solución ideal para quien no quiere prescindir de la calidad de imagen de la ALEXA en situaciones de rodaje especificas.

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ARRI

ARRI PL

3.4K

Super 35

Cine Digital

La ARRI ALEXA Mini es una cámara de cine digital Super 35mm fabricada por ARRI, reconocida por su calidad de imagen excepcional, tamaño compacto y versatilidad. Es una opción popular entre cineastas profesionales y aficionados por su portabilidad y capacidad de grabar imágenes de alta calidad.

Sensor Super 35mm de 2.8K: Captura imágenes con una resolución de 2880 x 1620 píxeles, proporcionando un equilibrio entre calidad de imagen y tamaño compacto.
Amplio rango dinámico: Alcanza hasta 14 paradas de rango dinámico, ofreciendo una mayor flexibilidad en la gradación de color y preservando detalles en sombras e iluminaciones.
Alta sensibilidad (ISO): Con un ISO nativo de 800, la cámara permite grabar en condiciones de poca luz con un mínimo de ruido.
Opción de múltiples relaciones de aspecto: Soporta relaciones de aspecto como 16:9, 2:3 y Open Gate para adaptarse a diferentes necesidades creativas.
Grabación a alta velocidad: Puede grabar hasta 200 fps a resolución Full HD, ideal para lograr efectos de cámara lenta fluidos.
Tamaño compacto y ligero: Pesa tan solo 2.3 kg (con montura PL), facilitando su uso en configuraciones portátiles o estabilizadores.
Montura PL: Compatible con una amplia gama de lentes cinematográficos profesionales de diversos fabricantes.
Excelente calidad de imagen: El sensor Super 35mm ofrece una calidad de imagen superior con colores ricos y un bokeh (desenfoque del fondo) agradable.
Versátil: Funciona bien en diversas situaciones de grabación, desde estudios con iluminación controlada hasta entornos con poca luz.
Amplio rango dinámico: Brinda mayor flexibilidad en la postproducción para lograr la estética deseada.

ISO	800
Latitud	14+stops
Filtros	Filtros motorizados ND 0.6, 1.2, 2.1
Montura Óptica	PL EF B4
Máx. framerate	200 fps
Peso	2.3 k
Tamaño Sensor	35mm ARRI ALEV III CMOS
Formato Grabación	ArriRAW, ProRes, en HD, 2K, 4K UHD
Tarjetas	CFast 2.0
RAW	Si

Model	ALEXA Mini
Sensor Type	Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array Sensor Maximum Number of Photosites and Size 3424 x 2202 28.25 x 18.17 mm / 1.112 x 0.715″ ⌀ 33.59 mm / 1.322″
Sensor Frame Rates	0.75 – 200 fps
Weight	∼2.3 kg / ∼5 lbs (camera body with titanium PL lens mount)
Photosite Pitch	8.25 μm
Sensor Active Image Area (photosites)	S16 HD: 1600 x 900 HD: 2880 x 1620 2K: 2868 x 1612 3.2K: 3200 x 1800 4K UHD: 3200 x 1800 4:3 2.8K: 2880 x 2160 2.39:1 2K Ana.: 2560 x 2145 HD Ana.: 1920 x 2160 ARRIRAW 16:9 2.8K: 2880 x 1620 Open Gate 3.4K: 3424 x 2202
Sensor Active Image Area (dimensions)	S16 HD: 13.20 x 7.43 mm / 0.520 x 0.292″ HD: 23.76 x 13.37 mm / 0.935 x 0.526″ 2K: 23.66 x 13.30 mm / 0.932 x 0.524″ 3.2K: 26.40 x 14.85 mm / 1.039 x 0.585″ 4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585″ 4:3 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702″ 2.39:1 2K Ana.: 21.12 x 17.70 mm / 0.831 x 0.697″ HD Ana.: 15.84 x 17.82 mm / 0.624 x 0.702″ ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526″ Open Gate 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715″
Recording File Container Size (pixel)	S16 HD: 1920 x 1080 HD: 1920 x 1080 2K: 2048 x 1152 3.2K: 3200 x 1800 4K UHD: 3840 x 2160 4:3 2.8K: 2944 x 2160 2.39:1 2K Ana.: 2048 x 858 HD Ana.: 1920 x 1080 ARRIRAW 16:9 2.8K: 2880 x 1620 Open Gate 3.4K: 3424 x 2202
Recording File Image Content (pixel)	ProRes S16 HD: 1920 x 1080 ProRes HD: 1920 x 1080 ProRes 2K: 2048 x 1152 ProRes 3.2K: 3200 x 1800 ProRes 4K UHD: 3840 x 2160 ProRes 4:3 2.8K: 2880 x 2160 ProRes HD Anamorphic: 1920 x 1080 ProRes 2.39:1 2K Anamorphic: 2048 x 858 ARRIRAW 16:9 2.8K: 2880 x 1620 ARRIRAW Open Gate 3.4K: 3424 x 2202 ARRIRAW 4:3 2.8K (OG 3.4K): 3424 x 2202 ARRIRAW 2.39:1 2K Ana. (OG 3.4K): 3424 x 2202 ARRIRAW 16:9 HD Ana. (OG 3.4K): 3424 x 2202
Dynamic Range	14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index	Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity
Shutter	Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Recording Formats	MXF/ARRIRAW Apple ProRes 4444 XQ Apple ProRes 4444 Apple ProRes 422 HQ Apple ProRes 422 Apple ProRes 422 LT
Recording Media	CFast 2.0 Cards
Recording Frame Rates	ProRes HD: 0.75 – 200 fps ProRes S16 HD: 0.75 – 200 fps ProRes 2K: 0.75 – 200 fps ProRes 3.2K: 0.75 – 60 fps ProRes UHD: 0.75 – 60 fps ProRes 4:3 2.8K: 0.75 – 50 fps ProRes 2:39:1 2K Ana.: 0.75 – 120 fps ProRes HD Ana.: 0.75 – 120 fps MFX/ARRIRAW 16:9 2.8K: 0.75 – 48 fps MFX/ARRIRAW 3.4K Open Gate: 0.75 – 30 fps
Recording Modes	Standard real-time recording Pre-recording Intervalometer Stop Motion
Viewfinder Type	Multi Viewfinder MVF-1 with 3,2″ flip-out monitor Camera Control Panel (CCP-1) with option to daisy-chain MVF-1
Viewfinder Technology	OLED viewfinder display LCD flip-out monitor
Viewfinder Resolution (pixel)	1280 x 720
Viewfinder Diopter	Adjustable from -5 to +5 diopters
Color Output	Rec 709 Rec 2020 Log C Custom Look (ARRI Look File ALF-2)
Look Control	Import of custom 3D LUT ASC CDL parameters (slope, offset, power, saturation) Knee, gamma, saturation, black gamma, saturation by hue Support of ARRI Look Library
White Balance	Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters	Built-in motorized ND filters 0.6, 1.2, 2.1 Fixed optical low pass, UV, IR filter
Image Outputs	1x proprietary signal output for MVF-1 viewfinder 2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G & DL 6G (SMPTE ST2081-10, ST2081-11) uncompressed video with embedded audio and metadata
Lens Squeeze Factors	1.00, 1.30, 2.00
Exposure and Focus Tools	False Color Zebra Zoom Waveform Aperture and Color Peaking
Audio Input	1x LEMO 5pin balanced stereo line in (Line input max. level +24dBu correlating to 0dBFS)
Audio Output	SDI (embedded)
Audio Recording	2 channel linear PCM, 24 bit 48 kHz
Remote Control Options	Web-based remote control from phones, tablets and laptops via WiFi & Ethernet Camera Access Protocol via Ethernet & WiFi GPIO interface for integration with custom control interfaces WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
Interfaces	1x LEMO 5pin LTC Timecode In/Out 1x LEMO 10pin Ethernet for remote control and service 1x BNC Sync In (optional activation through ARRI Service) 1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and unregulated power output (outputs battery voltage) 1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable 1x USB 2.0 (for user setups, look files etc)
Wireless Interfaces	Built-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI lens and camera remote control
Lens Mounts	Titanium PL lens mount with LBUS connector LPL lens mount with LBUS connector PL lens mount with Hirose connector EF Mount (LBUS) EF lens mount B4 lens mount with Hirose connector Leitz Cine Wetzlar M lens mount
Flange Focal Depth	PL mount: 52 mm LPL mount: 44 mm
Power Input	1x LEMO 8pin (10.5-34 V DC)
Power Consumption	min. 43 W max. 84 W (Camera body with MVF-1)
Power Outputs	1x LEMO 7pin EXT unregulated power output (outputs battery voltage) with max. 1.1 A
Measurements (HxWxL)	140 x 125 x 185 mm / 5.5 x 4.9 x 7.3″ (camera body with PL lens mount)
Operating Temperature	-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
Storage Temperature	-30° C to +70° C / -22° F to +158° F
Sound Level	< 20 dB(A) at 24fps
Software Licenses	ALEXA Mini 4:3 License Key ALEXA Mini ARRIRAW License Key ARRI Look Library License Key

RED V RAPTOR X

SENSOR TYPE	V-RAPTOR® [X] 8K VV 35.4MP Global Shutter CMOS
EFFECTIVE PIXELS	8192 x 4320
SENSOR SIZE	40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE	17+ stops
MOUNT TYPE	Integrated locking RF mount with electronic communicationSupports /i PL lenses with RED RF to PL Adapters Supports Canon EF Adapter with communication and other adapters based on the RF mount
MAX DATA RATES	Up to 800 MB/s using RED branded or other qualified CFexpress media cards1
REDCODE® RAW MAX FRAME RATES	120 fps at 8K 17:9, 150 fps at 8K 2.4:1140 fps at 7K 17:9, 175 fps at 7K 2.4:1 160 fps at 6K 17:9, 200 fps at 6K 2.4:1 192 fps at 5K 17:9, 240 fps at 5K 2.4:1 240 fps at 4K 17:9, 300 fps at 4K 2.4:1 320 fps at 3K 17:9, 400 fps at 3K 2.4:1 480 fps at 2K 17:9, 600 fps at 2K 2.4:1
BEST AVAILABLE REDCODE® SETTINGS	REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fpsREDCODE LQ and ELQ at 8K 17:9 up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps
REDCODE® RAW ACQUISITION FORMATS	8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9, 2:1, 2.4:1, 16:9, 1:1 4K 17:9, 2:1, 2.4:1, 16:9, 1:1 3K 17:9, 2:1, 2.4:1, 16:9, 1:1 2K 17:9, 2:1, 2.4:1, 16:9, 1:1
APPLE PRORES	Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096×2160) 120PProxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P.
CONSTRUCTION DIMENSIONS	Aluminum Alloy149.63 mm x 115.5 mm x 108 mm / 5.9 in. x 4.5 in. x 4.3 in. (LxWxH, largest fixed dims.)
WEIGHT	4.03 lbs / 1.83 kg (without body cap and CFexpress card)
MEDIA TYPE	CFexpress Type B
BATTERY TYPE	Integrated V-Lock battery interface optimized for Micro V-Lock Batteries1
DC POWER INPUT	11-17 V via 6-Pin DC-IN
OPERATING TEMPERATURE	0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE	–20°C to 50°C (–4°F to 122°F)
STORAGE RELATIVE HUMIDITY	0% to 85% non-condensing
RED GLOBAL VISION	Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios.Phantom Track recording mode to capture multiple LED instances as dedicated clips.
COLOR MANAGEMENT	Image Processing Pipeline 2 (IPP2)Supports 33×33×33 3D LUTs Supports import and adjustment of CDLs
AUDIO	Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHzIntegrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port
AUTOFOCUS	Phase Detect with Face Detection
IP CONNECTED	Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110.Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow via FrameIO or Amazon S3 Wired control via USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing remote camera control, live MJPEG preview video feed and remote media offload Wired control via USB-C or Ethernet (compatible USB-C to Ethernet adapter1 required) for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload
MONITOR OUTPUTS	Proprietary Top Accessory Port for Monitoring and ControlIntegrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS	DSMC3 RED Touch 7.0” LCDRED Compact EVF with DSMC3 Adapter A Wireless 1080p live preview video feed via 2.4Ghz/5Ghz Wi-Fi for framing Integrated 2.4″ LCD for camera control (no preview video)
ADDITIONAL I/O	Tri-Level Genlock Input via 9-Pin EXTLTC Timecode Input via 9-Pin EXT RS232 CTRL (using RCP2) via 9-Pin EXT
RED CONTROL & RED S PRO	Access full camera controls and live preview from iOS or Android devicesPro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB-C